• Lanphear LIVE! Presents: Myron Stachiw, Building Archaeology at the Stanton-Davis Homestead: History, Archaeology, Interpretation

    The Chaplin B. Barnes Reading Room 1 Bay Street, Westerly, RI, United States
    Special Events & Programs

    The Stanton-Davis House and property are all that remain of the vast 17th and 18th century holdings of the Stanton Family of Stonington, CT. The lecture will present the history of the house, property, and its owners, and describe the methods and process of building archaeology, revealing the evolution of this grand house and the technology of its construction and alteration. 

  • Lanphear LIVE! Presents: Paul Keleher, Resiliency of Watch Hill Historic Homes in the 21st Century

    The Chaplin B. Barnes Reading Room 1 Bay Street, Westerly, RI, United States
    Special Events & Programs

    Watch Hill’s homes are an essential part of the community’s identity and coastal heritage. Many of these properties were built centuries ago with exceptional craftsmanship, yet they face increasing challenges from aging materials, intense coastal conditions, and changing weather patterns. This educational presentation, designed for both full time residents and seasonal homeowners, focuses on responsible stewardship: how thoughtful maintenance, resilience planning, and appropriate protection work together to help preserve older homes while respecting their important history and character.

  • Lanphear LIVE! Presents: Catherine Shotick, American Impressionism: Painting New England

    The Chaplin B. Barnes Reading Room 1 Bay Street, Westerly, RI, United States
    Special Events & Programs

    Join Catherine Shotick, inaugural director of the highly anticipated Westerly Museum of American Impressionism as she discusses how artists working along the Northeast coast shaped a distinctly American interpretation of Impressionism. Drawing from works in the museum’s collection, she examines key artist colonies—from Ogunquit, Maine, to Cape Ann, Old Lyme, and coastal Rhode Island—where painters responded directly to the region’s light, atmosphere, and seasonal rhythms.  Through selected case studies, the presentation considers how place, community, and environment informed both subject matter and technique, resulting in paintings that are at once regionally grounded and central to the broader narrative of American art.